Download Yellow Magic Orchestra Bgm Zip3/25/2021
Though they arent exactly melancholy, Neue Tanz and Pure Jam distinguish themselves through a clever use of synth and effects rather than through the simplistic melodies of previous work.There are some acknowledgements to acoustic music (such as the piano on Stairs), but for the most part YMO pursues a new direction with the same synthesizers theyd been using previously.Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.Its the perfect opportunity to revisit the history of Britains best-respected independent label.
With their chloroformed rhythms and heavy ambience, Massive Attack, Portishead, Tricky, Morcheeba and several other outfits invented a kind of dark, futuristic and often cinematic soul music. Heres a spotlight on 10 albums from a genre with blurred sonic borders but a definitive musical influence. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and thats what makes him so appealing. Meanwhile, Sakamoto would gain international success for his work as a solo artist, actor, and film composer, 36 winning Grammy, Oscar and Golden Globe awards. 28. From left to right: Ryuichi Sakamoto, Yukihiro Takahashi, Haruomi Hosono Background information Also known as YMO YMO Not YMO Human Audio Sponge HAS HASYMO Origin Tokyo, Japan Genres. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions of Giorgio Moroder. They released the surprise global hit Computer Game in 1978, reaching the UK Top 20 and selling 400,000 copies in the US. For their early recordings and performances, the band was often accompanied by programmer Hideki Matsutake. The group would release several albums before pausing their activity in 1984. They have briefly reunited several times in subsequent decades. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra. Hosono invited both to work on his exotica -flavoured album Paraiso, which included electronic songs produced using various electronic equipment. The band was named Harry Hosono and the Yellow Magic Band as a satire of Japans obsession with black magic at the time, 16 and in late 1977 they began recording Paraiso, which was released in 1978. The three worked together again for the 1978 album Pacific, which included an early version of the song Cosmic Surfin. Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosonos experimental electro-exotica fusion album Cochin Moon, which fused electronic music with Indian music, including an early synth raga song Hum Ghar Sajan. The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. Hosono also contributed to one of Sakamotos songs, Thousand Knives, in the album. Thousand Knives was also notable for its early use of the microprocessor -based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album. The album featured the use of computer technology (along with synthesizers) which, according to Billboard, allowed the group to create a new sound that was not possible until then. Following the release of the album Yellow Magic Orchestra, a live date at the Roppongi Pit Inn was seen by executives of AM Records of the USA who were in the process of setting up a partnership deal with Alfa Records. This led to the YMO being offered an international deal, at which point (early 1979) the three members decided the group would be given priority over their solo careers. The most popular international hit from the album was Firecracker, which would be released as a single the following year and again as Computer Game, which became a success in the United States and Europe. On the other hand, the YMO trio contributed to her own albums and became part of her live band, during these same years. ![]() It featured English lyrics by Chris Mosdell, whose sci-fi themes often depicted a human condition alienated by dystopic futures, much like the emerging cyberpunk movement in fiction at that time. One of the albums major singles, and one of the bands biggest international hits, was Behind the Mask, which YMO had first produced in 1978 for a Seiko quartz wristwatch commercial, 25 and then for Solid State Survivor with lyrics penned by Chris Mosdell. The song was later revised by Michael Jackson, who added new lyrics and had intended to include it in his album Thriller. Jacksons version was never released until his first posthumous album, Michael, though his additional lyrics were included in later cover versions of the song by Greg Phillinganes, Eric Clapton, and Ryuichi Sakamoto himself in his 1986 solo release Media Bahn Live. Their first live album Public Pressure set a record in Japan, topping the charts and selling 250,000 copies within two weeks, while their next studio album XMultiplies had 200,000 pre-orders before release. The same year, their albums Solid State Survivor and XMultiplies held the top two spots on the Oricon charts for seven consecutive weeks, making YMO the only band in Japanese chart history to achieve this feat. Rap Phenomena from the album was an early attempt at electronic rap. The group also performed Firecracker and Tighten Up live on the Soul Train television show. At around the same time, the 1980 song Riot in Lagos by YMO member Sakamoto pioneered the beats and sounds of electro music. The band was particularly popular with the emerging hip hop community, which appreciated the groups electronic sounds, and in the Bronx where Firecracker was a success and sampled in the famous Death Mix (1983) by Afrika Bambaataa. Meanwhile, in Japan, YMO remained the best-selling music act there up until 1982. After the release of their musical motion picture Propaganda, the three members had returned to their solo careers. They were careful to avoid saying they had split up, preferring to use the Japanese phrase meaning spreading out (, sankai ), and the trio continued to play on each others recordings and made guest appearances at live shows. Takahashi, in particular, would play the bands material in his concerts. Meanwhile, Sakamoto would gain international success for his work as a solo artist, actor, and film composer, 36 winning Grammy, Oscar and Golden Globe awards.
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